Dylan K. Narang’s All I Need begins like any other film in the ‘women in captivity’ subgenre. However, within a few minutes, it becomes very apparent that All I Need is going to be something wholly different. From the film’s opening shot a languid style is established as the camera slowly reveals a young woman, Chloe (Caitlin Stasey), trapped and bound in a room. What works so well in these openi...[Read More]
It’s been a great start to Women in Horror Month, and we want to keep the love and respect going by featuring all women FearMakers this month. When we first began creating the WAIH community, we thought the indie horror scene was far from thriving. Boy were we wrong. The same goes for women in horror. At first glance women only seem to pop up in front of the camera, usually running, usually toples...[Read More]
Last year immersive theater blew up all over southern California. One group of young and audacious women known to the community as the Shine On Collective emerged with an impressive story of love and emotional distress with Devotion. Cara Darling took audiences on a personalized journey into her mind which was filled with so much passion and love, she could not handle it. The show was impressive n...[Read More]
Deadly Virtues: Love. Honor. Obey is the first feature film from Raindance Raw Talent and released by arthouse film juggernaut Artsploitation Films. Directed by Ate De Jong (Drop Dead Fred, Highway to Hell), and written by Mark Rogers, Deadly Virtues is about a sadistic tormentor, Aaron (Edward Akrout) who breaks into the home of Tom (Matt Barber) and Alison (Megan Maczko) forcing the couple to a ...[Read More]